A beautiful exploration of the work of grace that gets done when we invite kids into the Great Story in this way.
Viewing entries in
Partners
From our friends at Forefront Festival
Kevin Twit and Keith Getty join the Hutchmoot podcast to discuss the history and necessity of the art of hymnody.
Dr. Malcolm Guite (Cambridge) and Dr. Michael Ward (Oxford) introduce the Christian imaginations of Dante and C.S. Lewis.
This piece by John Skillen of Gordon College has profoundly influenced our vision of a healthy relationship between pastors, artists, audience, and patrons.
Anselm Society director Brian Brown wrote a piece for the summer 2018 issue of The Cultivating Project on the role of art and artists in spiritual formation.
A gem from Anthony Esolen on the breathtaking nature of the beauty that is the redeemed imagination.
Malcolm Guite reflects on stringing, George Herbert, and getting in tune.
An interview with Brian Brown on Vernacular Podcast.
Follow the story of an American pastor whose desire to change the world grinds to a halt in a Scottish parish. Join Eugene Peterson, N. T. Wright and Granny Wallace on a pilgrimage to being known in your own backyard.
Cherl Chastain at the Rabbit Room shows how community helps move past stereotypes and limited experiences.
Michael Hanby at the Eliot Society
Ken Myers at the Eliot Society
Anthony Esolen: Sometimes a single encounter with what is healthy and ordinary is enough to shake you out of the bad dreams of disease and confusion.
Roger Scruton: The life of the mind is a lifelong recreation, a re-creation of reality, and a way of belonging.
Peter Hitchens: The languages of architecture, music, and poetry work mightily on us when we are not aware of it
Have you ever looked at an actual Rembrandt? I mean really looked? I have. And it is exhausting. Why? Because Rembrandt was a master. If you are willing to look, he will show more than you can take in. This is what masters do.
The Baylor professor's time with us left no one disappointed.
What is the Benedict Option? Rod Dreher explains.