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Podcast
The cohosts discuss how the many garden-related and cultivating-related themes and metaphors in the Bible may begin to make more sense through the practical experience of getting our hands dirty and paying attention to the things that grow in the ground.
Matt sits down with Peter Atkinson and Kiley Hatch of the Merry Beggars to talk about the making of their 21-part radio drama On the Night Train.
Cohost of Believe to See Christina Brown sits down with fellow Anselm Arts Guild member Elyce Westby to talk about the importance of cultivating a narrative of beauty in your home.
Christina Brown and Amy Lee share about the art of gardening and God's story.
What’s in a face? What’s in a painting of a face that isn’t in a photograph? Nicole Beck, a portrait artist based in Colorado Springs, talks about why she is drawn to painting faces, how she learned to paint, and the special significance that can be found in an image of a person’s face.
In this episode, Brooke McIntire reads Gracy Olmstead's essay exploring how a posture of cultivation equips us to create as God made us to create.
At the Anselm Society's July Pub Night, Christina presents her retelling of George MacDonald's story The Golden Key.
In this lecture, Heidi explores the two different attitudes we can have toward the past, and how each needs the other in order to healthily live in the present.
Matt and Believe to See's producer, Jesse Childress, sit down with Sam Jolman to talk about how our relationships, life experiences, and trauma can shape our imaginations.
In this episode, Brooke McIntire shares this month's essay by Heidi White on mythmaking, and the questions surrounding creation as an act of shared memory.
Matt sits down at the digital pub table with guest Aaron Damiani, an Anglican pastor in Chicago, to talk about how things like deconstruction and liturgies fit into God's story.
Join host Matt Mellema and a rotation of guests at the digital pub table to explore how art and storytelling matter for faith and to connect our stories, great stories, and the Great Story.
Join host Matt Mellema and a rotation of guests at the digital pub table to explore how art and storytelling matter for faith and to connect our stories, great stories, and the Great Story.
Malcolm Guite makes the case that Christ's incarnation is the spark of Christian creativity.
In this episode, Brian kicks off this month's theme of "Imago Dei" by sharing Peter Leithart's essay Creators Imaging the Creator, which explores the hinge question of our "Why We Create" series: what does it mean to be human?
For longer than he'd care to admit, Matt has been designing an official coat of arms for the Anselm Society Arts Guild. After explaining the heraldic creatures he chose, he discusses the history and purpose of heraldry with Mandy and Christina. The three of them explore the ways that heraldry can describe what the Arts Guild is, where it came from, and what it aspires to be.
Brian welcomes back writer and storyteller Leslie Bustard to talk about how to cultivate thankfulness, and how it helps us to live well in the present moment.
For centuries, Shakespeare has been widely accepted as the greatest writer in our language's history. For much of that time, maverick thinkers have argued that William Shakespeare didn't actually write his plays. One of those maverick thinkers is Mandy’s daughter, Bethany. She joins the table for a no-holds-barred debate with Matt about the authorship of Shakespeare. After the dust settles, the hosts explore the reasons why so many people feel compelled to doubt Shakespeare.
After the conversation with Corey about how Bergson's theory of time influenced the literature of Lewis and Eliot, Jane and Corey take us into T.S. Eliot's poem The Four Quartets to show us an example of these ideas in the text.
Join Brian, Jane, and special guest Corey Latta as they dig deeper into the philosophies that influenced Lewis and Eliot's theology of time, and consequently some of their most famous works like The Screwtape Letters and The Four Quartets.
